My own artistic attraction is to describe a personal alchemy. I like piles of tiny delicate objects and I like thinking about how to arrange these personal things into assemblages - like a primitive's curio cabinet, a natural science collection of experience instead of objective records. This aesthetic really reflects the nature collection I began as a small child exploring the woods in Germany - the germ of my creativity was in finding feathers and creatures and childishly assigning my place within them. So heres a look at my favorite clay experiences from the Houston galleries...
My favorite of all time. Keys, hammers...hands... |
Clay layered and fired multiple times to simulate peeling paint on wood. |
The 'ingredient's list contained the word 'mum' - took me a second to realise it was the flower.. |
NCECA Biennial - A memorial to a pianist friend. The artist slip-cast rose twigs and inserted them into piano strings - the hanging chimes in the wind. Eloquent. |
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